Contemporáneos
Book Series

For this series that began to circulate as pocket books initially, continuity in design is established not so much through format and other technical qualities, but through the treatment of the authors’ last names on the spines as they line up on the shelf. The fore-edges are colored, and the typographical compositions of the covers, each of which features a quote from the book, connect in an exponential “zoom-in” effect that develops from one volume to the next.

Fonts used were Trade Gothic and Minion Pro. In place of the usual black ink, one Pantone color was used for each book in the series, making it cost-effective for offset printing, but with a visually appealing finish

CLAP Winner for textbook design, 2017 (Spain); finalist at Ibero-American Design Biennial, selected for exhibit (Spain); Behance Gold Medal, 2017; awarded AIGA 50 Books | 50 Covers, 2019 (USA); best cover, Spine Magazine (2020). Associated programming in the USA and Venezuela. Box fabrication by Sarah Nicholls
Fonts used were Trade Gothic and Minion Pro. One Pantone Ink was used for each book instead of what is used by default, which is usually black, making it cost-effective for offset printing with a visually appealing finish.
Continuous spine design displaying last names of authors.
Layouts in different languages.

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